For the secondÂ week of this summer reading program, we will discuss the secondÂ actÂ ofÂ Kagerou Daze (volume 1) and Mimizuku and the King of Night. For Kagerou Daze, you need to have read the chapters titled â€œKagerou Daze IIâ€ and â€œKisaragi Attentionâ€ (ending at page 101). Meanwhile for Mimizuku, you need to have read chapters 4, 5, and 6.
If you have read further ahead, please refrain from spoiling anything past the points in the stories mentioned above. (Also, obviously, if youâ€™veÂ experienced a manga or anime adaptation in the past, donâ€™t revealÂ what happens next.)
The second story of this volume follows Momo, a girl who attracts the attention of everyone around her. At this point it’s made clear the series will involve supernatural elements, presumably viaÂ theÂ cast of teen misfits Momo ends up meeting in the second half of the story. Overall I found the story a cute one, though it largely seemsÂ meant to serve as setup.
I think it’s interesting to compare the first two stories of Kagerou Daze, since the two viewpoint characters are siblings who live very separate lives–and yet those lives hold more in common than either would probably expect. Though Shintaro keeps to his room whileÂ Momo has the eyes of all of Japan on her, neither of them seem to have any friends, and struggle to connect with others in a meaningful way. (Also, they both really like soda.) One point that stood out to me was that both characters find it difficult to carry a conversation–which can be surprising in Momo’s case, given how she’s made it big as an artist, idol, and TV star.
Of course, it should be noted that Momo didn’t really want to be any of those things… How much of her life would you say has been dictated by her condition(?) that causes everyone to praise and adore her? And how do you feel the story weighs in on the subject of success in life vs. personal happiness? Do you expect Momo will ever return to her popular vocation in any form?Â I suppose it remains to be seen if the Mekakushi gang will actually be able to “cure” her, which will obviously affect where she goes from here.
My favorite scene of this story though was probably the dialogueÂ betweenÂ Momo and her teacher, which in a way reminded me much of the banter between Shintaro and Ene. Though the masses at large can only see Momo as a figure of fame and glamour, her teacher at least isÂ able to look past all that and treat her like a regular student.
Mimizuku and the King of Night
This week’s readingÂ gaveÂ us background information on Mimizuku and Fukurou, but their time together was brought to a halt onceÂ the Holy Knight arrived with a team of magicians. What followed was an interesting series of events at the castle, which served nicely forÂ a change of setting as well asÂ a change in tone and atmosphere. I’m quite curious to see where the story will go from here, and what will ultimately become of both Mimizuku and Fukurou.
Why do you feel Fukurou did nothing to fightÂ off the ambushÂ in chapter four, and what prompted him to seal away all of Mimizuku’s memories? I think there are a number of things to read in his decisions there, though it’s likely more will be expoundedÂ upon in the final chapters to come. (My take on the matter is that Fukurou felt Mimizuku would be happier with a life among fellow humans, and was willing to fall for her sake.)
Mimizuku’s time in the castle has been marked by her ignorance of all that has transpired in the monster forest and in the village she grew up in previously. But despite her case of forced amnesia, she still feels drawn to the moon and seems to recognize something is amiss. Does Mimizuku yearn to return to the world of monsters, deep down? Her days at the castle have been blissful, but isÂ this actually an artificial happiness?
“If Mimizuku’s memories return…” Ann Duke said gently, “she may not be the same Mimizuku that we know now.”
“Huh…?” Claudius looked up, slightly taken aback.
“A person’s memory is the one definite substance of their character. The Mimizuku whose memories have returned may be a completely different person from the Mimizuku we know now…”
How much would you say Mimizuku’s personality has changed followingÂ her memory loss? How much is a person defined by her life experiences? At the conclusion of this weeks’ readings, Mimizuku regained her memories, all the dark events of her life returning at once and forcing her to vomit profusely in reaction. Do you expect her personality to shift back to how it was before? (Kind of… unhinged?) I can see that her timeÂ with everyone at the castle would have enough of an effect on her that we could see “a third Mimizuku” result from the aftermath. It’s an interesting take on character development, and I look forward to seeing how it all pans out.
I feel it’s worth comparing Mimizuku’s interactions with Fukurou and her interactions with the young boy Prince Claudius. Fukurou was once a prince himself, andÂ the fate of both Fukurou and Claudius appears to have been entirely outside of their control (i.e. society’s rejection of Fukurou; Claudius’s inability to move his arms and legs). Both were locked awayÂ in a castle tower, and both hadÂ little to no interaction with others until Mimizuku enters their lives. In what ways has she affected each of them?
What do you expect will happen next in this story? Do you expect a happy or tragicÂ ending? To me, it seems unlikely that things can work out favorably for everyone involved, and the story has done well to create some degree of attachment with each of the major characters involved in thisÂ situation.
As mentioned before, feel free to discuss any point you would like to bring up aboutÂ either (or both) of these two books. General impressions, predictions for how the stories will play out, some compare/contrast between the two books, or any random observations and things youâ€™d like to analyze are all fair game.